And montages are manipulated using color theory to express a message. Memories are often monochrome to communicate that it’s a recollection of history. Think about how dream sequences are often slightly off-color to represent the shift away from reality. A few prominent examples are dream sequences, memories, and montages. Sin City, Spring Breakers, Dreamers, Blade Runner, any movie by Wes Anderson or Quentin Tarantino, and 2046 are just a few famous examples of using color to establish the style and mood of each respective film.Įach scene and sequence within a film has a specific task. In the 1940s the very introduction of color into filmmaking gave way to an entirely new way to brand a film and tell a story. Often overlooked, color is one of the most powerful ways to bring style and emotion to a video. Every original film has an aesthetic - a unique look and feel that gives the film its own style and also communicates the mood of the story.
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